Natural, botanical and animal perfumery.
I don't create perfumes to please everyone.
I work with real materials to express emotions, memories, and olfactory recollections.
We don't just sell simple fragrances here: we open olfactory doors to profound sensory worlds.
I have always been driven by curiosity about chemistry, which over time found a form of expression in perfumery.
My relationship with perfume doesn't stem from marketing or a modern school, but from travel, markets, resinous wood, and oils that don't seek to please, but to be honest.
Live Ingredients
Most of the perfumes I create contain ingredients of animal origin.
I don't use them because they're fashionable or unusual, but because of what they bring: three-dimensionality, depth, body, and a raw, authentic feeling that cannot be reproduced with anything synthetic.
These ingredients make a perfume feel alive, breathe, and connect with the memory of the real scent.
The way of working
I do not conceive of perfume as a closed formula, but as a living construction.
I work in small batches, accepting that nature never repeats the same gesture twice. Each perfume is the result of a slow and unhurried maceration process.
This isn't perfumery for everyone.
And it doesn't pretend to be.
In my perfumes you will not find imagined notes.
Each note listed is a real material: a resin, a wood, an absolute, an essential oil.
Those who wish can also access these materials separately because smelling an isolated ingredient is another way of understanding a perfume. Slower, more intimate, closer to its origin.
Some of my oils mature for years in traditional Indian goatskin containers.
There they breathe slowly, they round out, they refine.
Time doesn't wear them down: it improves them.
Working with antique oils transforms any formula, providing a depth that is difficult to imitate today.
If you are a perfumer or passionate about ingredients with time and history, I invite you to discover my collection of antique oils.